![]() The biggest driving force behind the film’s success is its willingness to introduce new situations to the wider Star Wars world while retaining the sanctity of the characters that have come before. Thankfully, besides a few non-sequiturs that could be filled in with the deleted scenes, the plot of The Rise of Skywalker flows in a logical, cohesive way that ultimately feels fulfilling. There are moments here that very easily could’ve fit in The Last Jedi had it not spent so much time on a casino planet or in an awkward, OJ Simpson-style starship chase - something fans have rightly called out about the film. To reach the conclusion of the franchise’s plot, Abrams puts the audience on a forced march, shepherding us from battle to battle, one explosion to the next with limited explanation of the thoughts and feelings of the increasingly conflicted characters. In fact, we’d say it has the exact opposite problem. Like previous Star Wars tales, the film doesn’t take the shortest path to get to the First Order’s new base - oftentimes sending heroes to one location to the next to find the one missing piece of the puzzle - but by no means does The Rise of Skywalker’s plot meander along in the way that The Last Jedi did. This plot line, introduced within a few minutes of the film, helps establish the stakes firmly and immediately, and puts the film’s heroes on a pressing mission that puts them at ends with Kylo Ren and the Knights of Ren who acquire a device required to reach Palpatine at the fringes of space. ![]() For fear of ruining the plot it will have to suffice to say that The Rise of Skywalker follows a similar trajectory as The Return of the Jedi - the First Order have procured a second more powerful weapon than Starkiller Base that threatens the newly established republic.
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